LAME HORSE guitars
EST. 1995 | USA
Acoustic | Electric Guitars
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Each Lame Horse guitar reflects an ethos shaped not by tradition alone, but by curiosity, problem-solving, and a desire to design instruments that last a lifetime. Adjustable action systems, rear access panels, multi-port voicing, and seven-laminate necks are hallmarks of the brand—functional innovations that never feel gimmicky, because they are born from decades of real-world experience.
One of the most beloved details in every guitar is the tiny hand-carved Zuni good-luck fetish, fastened inside the body.
As Chris tells it:
“I figured if you're a guitar player you could probably use all the luck you can get. And maker. Probably maker more so than the player.”But the real signature of a Lame Horse guitar is its sound—open, articulate, expressive—and the visual language that surrounds it: turquoise glints in the Elko model, sculptural cutouts, Texas iconography, and the playful, heartfelt touches that make each instrument unmistakably theirs.
From the rugged charm of the Saddle Pal, designed to be small enough to ride on horseback yet “sound as big as Texas,” to the elegantly voiced Elko, the vintage-inspired LH-14, and the imaginative Gitjo, Lame Horse Instruments balances bold creativity with deeply considered functionality.
For Chris and Jeremy, building guitars is simply the continuation of a lifelong conversation between design, intuition, and joy.
chris jenkins | Luthier
“Innovation should never overshadow the wood—it should reveal what the wood has always been capable of.”
lame horse
demo
Lame Horse Work Hoss Demo | Honduran Rosewood & Italian Alpine Spruce
Backstage demo of the Lame Horse Work Hoss, played by Lindsay Straw at Carter Vintage Guitars and built by Chris Jenkins with an Italian Alpine spruce top from Val di Fiemme and Honduran rosewood, delivering powerful tone, clarity, and refined playability.
lame horse
demo
LE TIGRE by Lame Horse Guitars | Hybrid Acoustic Electric Demo
Michael Watts explores Le Tigre, a slimline hybrid acoustic-electric prototype from Chris and Jeremy Jenkins of Lame Horse Guitars (Texas, USA). Blending a distinctive unplugged voice with a K&K magnetic humbucker, Le Tigre is a bold, one-of-a-kind instrument built for roots, stage, and studio.
boutique guitar showcase en tour | 2017 - 2019
“Wood doesn’t heal the way muscle does. It made me a better surgeon.”
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His days were split between ranch calls, surgery, and the quiet desire to make something with his hands. A garage-band guitarist in his youth, Chris’s relationship with the guitar took an unexpected turn when a table saw accident left him temporarily unable to play. Instead of stepping back from music, he stepped deeper into it.
When his son Jeremy broke the truss rod on his bass, Chris decided not to repair it—but to build a new one from scratch. With only a router, a sabre saw, and a single book on electric-guitar construction, he carved a path that would define the next decades of his life.
His turning point came in the mid ’90s at Charles Fox’s lutherie course, where he absorbed knowledge not only from Fox, but from fellow builder Harry Fleischmann, whose daily commute conversations became a second classroom. That experience gave Chris the confidence to build his first acoustic guitar—a guitar he sold for $1,000 and a moment that forever fused craft to passion.
For years he built at night, balancing scalpels and chisels, and found that the disciplines were more connected than they seemed.
As he jokes:
“Wood doesn’t heal the way muscle does. It made me a better surgeon.”Influenced by makers like Ervin Somogyi and Fred Carlson, Chris sought not to copy a lineage but to add his own voice to it—one rooted in precision, humor, storytelling, and a fierce commitment to originality.
Today, he continues to build with the same curiosity that first lit the spark.
chris jenkins | Luthier
gallery | lame horse guitars